The local public broadcasting station played John Sebastian's folk music retrospective. I was surprised to see that the music continued to appeal to me and struct by the performer's enthusiasm. Any false notes eluded me. Were they really that enthusiastic about their music? Does the performer's earnestness strike those who weren't there as hoky? The show reminded me that the dismissal of the 50's as bland, ignored the passion for justice that exploded in the 60's.
Folk music became "protest music" with singers using a classic form for what was perceived as a new purpose, but some of the songs which defined the era, , were a political campaign song (the Kingston Trio's "Charlie on the MTA"), a call for justice ("If I had a hammer"), and woody Gutherie's populist "This land is your land".
At the end of the show, many of the performers seen in their earlier incarnations were shown performing at a folk revival in Pittsburgh. It was reassuring to see the force of the Chad Mitchell Trio's singing belied their age. Barry McGuire's "Eve of Destruction" with only slightly modified lyrics still carried it's old punch. Jesse Colin Young's "Get Together" sounded as sweet as the first time I heard it and Roger McGuinn, back from Rio, still looks cool singing Bob Dylan's "My Back Pages", an anthem to angry youth, and Pete Seeger's "Turn, Turn, Turn".
It made me wonder if someone could write or, unbeknown to me, has written a contemporary song railing at Congress, the reactionary right, and others on my detestable s list wing echo chamber.
A random mental walk.
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